Korg Kronos Titanium 61 Limited Edition Synthesizer

The Korg Kronos Titanium 61 is a new Limited Edition version of the Korg Kronos synthesizer with a new titanium colour front panel and brushed metal finish.

Limited Edition Korg Kronos Titanium

A titanium colour front panel and brushed metal finish give the Korg Kronos Titanium an awesome modern and heavy duty appearance.

Furthermore, for the first time on a Korg Kronos, the Kronos Titanium features natural maple side panels.

Korg Kronos Titanium 61 Limited Edition Synthesizer Key Features:

• Powerful and innovative workstation
• Nine distinct sound engines
• Enhanced SGX-2 Grand Piano Sound Engine
• Massive Sound Selection
• Natural touch semi weighted 61 note keyboard
• 16-Track MIDI Sequencer / 16-Track Audio Recorder
• 16 Onboard Effect Processors
• Advanced Control Surface
• USB/MIDI Host Ports Accommodate MIDI Control Surfaces
• Innovative Set List Mode
• Color TouchView Display—Now with Touch-Drag Capability
• KARMA Arpeggiator and Phrase Looping
• Drum Tracks
• Open Sampling System
• Italian Grand Piano Exclusive to The KRONOS Titanium Edition
• Titanium Colour and Brushed Metal Finish Exclusive to The KRONOS Titanium Edition
• Natural Maple Side Panels Exclusive to the KRONOS Titanium Edition

Incredible Performance

The Korg Kronos Titanium 61 comes equipped with 61 keys that bost a natural touch thanks to their semi-weighted action and natural touch.

Beyond the keyboard, the Korg Kronos Titanium 61 has a range of great controls so you can get the most out of your performance, production and composition.

There's the TouchView Display, a four-way joystick, ribbon controller, assignable switches and more.

Nine sliders and eight numbers along wide a wide range of switches can be found above the keyboard to give you instant access and realtime interaction with several features and parameters on the Korg Kronos.

There's also a damper pedal input jack which supports half-damping to get you even closer to a realistic piano playing feel.

Exclusive Italian Grand Piano

Exclusive to the Korg Kronos Titanium special edition is an additional Italian-made grand piano sound.

Renowned for its clarity, this Italian grand piano is distinct from German and Japanese pianos and delivers the same leading quality sound you'd expect from a Korg Kronos.

Nine Distinct Sound Engines

With nine sound engines onboard, each with its own distinct set of sounds, the Korg Kronos Titanium gives you a huge library of tones to perform with.

Enhanced SGX-2 Grand Piano Sound Engine

One of the greatest aspects of the Korg Kronos Titanium is the Enhanced SGX-2 Grand Piano Sound Engine.

With a huge collection of non-looped, naturally decaying stereo samples recorded in every key, the Korg Kronos Titanium delivers beautifully realistic piano tones.

As with the standard Korg Kronos, you'll find the new Berlin Grand piano with fantastic depth and incredible resonance along with the lively Japanese Grand.

As an added bonus, the Korg Kronos Titaniun also includes an exclusive Italian Grand.

Staggering Selection of Sounds

The Korg Kronos Titanium comes with an absolutely massive sound selection.

This comprises thousands of sounds created with various types of synthesis and comes in at around 21 GB of preset waveform data getting you ready for a wide range of genres.

The Korg Kronos Titanium is equipped with a 62GB capacity SSD which gives you a lot of space to expand your sounds too.

Colour TouchView Display

Now with Touch-Drag capability, the Kronos' TouchView display is even more intuitive than ever.

With this eight inch (800 x 600 pixel) SVGA touchscreen, you can see all the settings, parameters and libraries you need with ease and tweak and select them at your leisure.

Intuitive Set List Mode

Using the Korg Kronos Titanium's intuitive Set List mode, you can easilly organise and navigate through any of your songs or entire sets.

When in Set List mode, you can use the TouchView display and 16 colour-coded touchscreen buttons to instantly call up the Preset, Combination or Sequence you're looking for.

Open Sampling System

With the Korg's Open Sampling System the possibilities are endless.

Using this system, you can sample external audio sources or resample the performance from the Korg Kronos itself.

Using USB memory, you can load in AIFF, WAV, SoundFont 2.0 and AKAI S1000/3000 format samples so you've got all sorts of sampling potential.

Limited Edition Korg Kronos

Bursting with incredible features, the Korg Kronos Titanium 61 is just ready to explode with potential.

Strictly limited edition, you don't want to miss out on this incredible synthesizer so buy the Korg Kronos Titanium 61 limited edition synthesizer from PMT Online before it's gone!

Korg Kronos Titanium 61 Limited Edition Synthesizer Specs:

System

KRONOS System Version 3.0

Keyboard

• 61 key: Natural Touch Semi Weighted

Tone Generator

Synthesis Types

• 9
• SGX-2: Premium Piano (Acoustic Piano)
• EP-1: MDS Electric Piano (Electric Piano)
• HD-1: High Definition Synthesizer (PCM)
• AL-1: Analog Synthesizer (Analog Modeling)
• CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
• STR-1: Plucked Strings (Physical Modeling)
• MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
• MS-20EX: Component Modeling Technology (Analog Modeling)
• PolysixEX: Component Modeling Technology (CMT Analog Modeling)

Maximum Polyphony*1*2

• SGX-2: 100 voices*3
• EP-1: 104 voices
• HD-1: 140 voices
• AL-1: 80 voices
• CX-3: 200 voices
• STR-1: 40 voices
• MOD-7: 52 voices
• MS-20EX: 40 voices
• PolysixEX: 180 voices

*1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)

Preset PCM

• 314 MB (ROM 1,505 Multisamples, 1,388 Drumsamples)

Build-in Expansion PCM Libraries

• EXs1 - ROM Expansion
• EXs2 - Concert Grand Piano
• EXs3 - Brass & Woodwinds
• EXs4 - Vintage Keyboards
• EXs5 - ROM Expansion 2
• EXs6 - SGX-1 German D Piano
• EXs7 - SGX-1 Japanese C Piano
• EXs8 - Rock Ambience Drums
• EXs9 - Jazz Ambience Drums
• EXs17 – SGX-2 Berlin D Piano
• EXs18 – KORG EXs Collections

PCM RAM Capacity

• Approx. 2GB *4
• *4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named "PRELOAD.KSC").

Wave Sequences

• 598 User memory, 187 Preload
• Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.

SGX-2 Program

Premium Piano

• Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
• Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
• Damper resonance and mechanical noise are reproduced.
• Modeled String Resonance.
• Una Corda sample support

PCM

• EXs6:SGX-1 German D Piano
• EXs7:SGX-1 Japanese C Piano
• EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
• 8 velocity levels, no Una Corda samples
• EXs17:Berlin D Piano
• 12 velocity levels, includes Una Corda samples

Piano Type

• 64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)

Oscillator Control

• Damper Resonance
• Damper Noise
• Mechanical Noise
• Note Release
• String Resonance
• Una Corda

• EP-1 Program
• MDS Electric Piano
• Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.

Electric Piano Model Types

• 6 Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
• Oscillator ControlHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control

• Tine Type
• Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
• Reed Type
• Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5

Effect Types

• 9
• Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
• HD-1 Program

Advanced Vector Synthesis

• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Structure

• Single: only OSC1, Double: OSC1 and OSC2.
• Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
• Drums: One drum kit, Double Drums: Two drum kits.

Oscillators

• Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
• 8 velocity zones per oscillator, with switching, crossfades and layering
• Each zone can play mono or stereo Multisamples or Wave Sequences

Driver

• Per voice non-linear driver and low boost circuit

EQ

• Three bands, with sweep-able mid

Modulation

• Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
• EXi Program Common
• Advanced Vector Synthesis
• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Modulation

• Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators

EQ

• Three bands, with sweep-able mid
• AL-1 Program

Oscillators

• Ultra-low-aliasing oscillators
• OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync

Audio Input

• External audio can be processed through the ring modulator, filter, driver, amp, and EQ

Filters

• Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
• Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)

Driver

• Per-voice non-linear driver and low boost circuit

Modulation

• Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
• CX-3 Program

Tonewheel Organ Modeling

• Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake

EX Mode

• Four additional, user-specified drawbars, and expanded percussion.

Internal Effects

• Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ

Drawbar Control

• Controlled via nine front-panel sliders (via Tone Adjust)

Split

• Upper, Lower (even in EX mode)

Modulation

• Two AMS mixers

STR-1 Program

Physically Modeled String

• Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
• Most string parameters can be controlled in realtime.

String Excitation

• Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
• 16 preset "pluck" types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
• PCM Oscillator:
• KORG's ultra-low-aliasing technology, as introduced in the HD-1;
• 4 velocity zones per oscillator;
• Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
• Supports Virtual Memory.
• Excitation Filter:
• Dedicated 2-pole multimode filter for shaping the string excitation.
• Filter can be enabled/disabled separately for each excitation source.
• Low Pass, High Pass, Band Pass, and Band Reject modes

Audio Input and Feedback

• Run real-time audio through the string, including feedback through effects.
• Modeled feedback includes modulate-able instrument-to-amp distance and orientation.

Filters

• Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
• Multi Filter Mode (Filter A only).
• Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Modulation

• 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.
• MOD-7 Program
• Waveshaping VPM Synthesizer
• Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.

Oscillators

• 6 VPM/Waveshaper/Ring Modulation Oscillators:
• Phase and modulatable pitch per oscillator.
• 101 Waveshaper tables plus modulatable Drive and Offset.
• Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
• PCM Oscillator:
• KORG's ultra-low-aliasing technology, as introduced in the HD-1.
• 4 velocity zones per oscillator.
• Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

Audio input

• Run real-time audio through the VPM Oscillators and filters.

Filters

• Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
• Two types of filter looping (Parallel and 24 dB "4-Pole")
• Multi Filter mode (Filter A only):
• Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects

Patch Panel

• Supports both preset algorithm (78 types) selection and free patching.
• Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
• Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion

Modulation

• 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.
• MS-20EX Program

Oscillators

• Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator

Audio Input

• Run real-time audio through the synthesis engine and ESP (External Signal Processor)

Filters

• 12dB/octave High Pass and Low Pass self-resonant filters

ESP section:

• 24dB/octave Low Cut and High Cut filters, available per voice.

Patch Panel

• Patchable audio and modulation, at audio rates

Patch Points

• Keyboard:
• Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
• VCO:
• VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
• VCF:
• External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
• VCO+VCF:
• Total External Modulation In
• VCA:
• External Initial Gain Control In, VCA In
• EG:
• EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
• MG:
• Triangle Out, Rectangle Out
• Noise Generator:
• Pink Noise Out, White Noise Out
• Sample and Hold:
• Clock Trigger In, Sample Signal In, S/H Out
• Modulation VCA:
• Control Voltage In, Signal In, Signal Out
• Manual Controller:
• Control Wheel Out, Momentary Switch
• ESP:
• Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
• Others:
• EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
• ESP (External Signal Processor)Use incoming audio as a trigger and/or CV source.

Modulation

• Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
• Original MG (with MIDI sync), Sample-and- Hold, MVCA,
• KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

PolysixEX Program

Oscillators

VCO:

• Saw, Pulse, PWM
• Sub Oscillator:
• Off, 1 octave below, 2 octaves below

Filter

• 24dB (4-Pole) Octave Low Pass self-resonant filter

Effects

• Integrated Polysix Chorus, Phaser, and Ensemble

Arpeggiator

• Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch

Modulation

• Polysix: Original ADSR EG and MG (with MIDI sync).
• KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination

Number of Timbres, Master Keyboard Functionality

• 16 Maximum
• Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
• The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices

Advanced Vector Synthesis

• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Drumkit

System

• Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)

Number of Programs/Combinations/Drum kits

User Memory Programs

• 2,560 (1,792 [896 HD-1+896 EXi] come preloaded)

User Memory Combinations

• 1,792 (512 come preloaded)

User Memory Drum Kits2

• 64 (78 come preloaded)
• 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Set List

Number of Set Lists/Slots

• 128 set lists, 128 slots per set list
• Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
• Transpose setting.
• Hold Time setting of Smooth Sound Transition (SST) supported for each slot.

Sampling

System

• Open Sampling System (resampling, In-Track sampling)

Bit Depth/Sampling Frequency

• RAM: 16-bit/48 kHz stereo/mono sampling
• DISK: 16 or 24-bit/48 kHz

Sampling Time

• RAM: Depends on the amount of available PCM RAM
• DISK: Maximum 80 minutes stereo (879MB: 16bit)

Sample Locations

• 16,000 samples/4,000 multisamples (128 indexes per multisample)

Ripping

• Direct sampling (ripping) from audio CD (CD-DA)

Formats

• KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats

Editing

• Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects

• 12 Stereo in / stereo out

Master Effects

• 2 Stereo in / stereo out

Total Effects

• 2 Stereo in / stereo out

Timbre EQ

• One 3-band EQ for each timbre/track

Effect Types

• 197

Modulation

• Dynamic Modulation and Common LFO

Effects Control Buses

• Stereo side-chaining for compressors, gates, vocoders, etc.

Effect Presets

• Total 783 preset, Maximum 32 per 1 effect (Preset User)

KARMA

KARMA Modules

• One module in Program mode, four modules in Combination and Sequencer modes

Generated Effects (GE)

• 2,048 presets, 1,536 Users (96 come Preload)

Controllers

• On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup

Drum Track Patterns

• 718 preset (common with the preset patterns of the MIDI sequencer)
• 1,000 user patterns
• Patterns created in Sequencer mode can be converted to drum track user patterns.
• Trigger Mode/Sync/Zone settings can be specified.

Sequencer/HDR

Tracks

• 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.

Number of Songs

• 200 songs

Resolution

• 1/480

Tempo

• 40.00 – 300.00 (1/100 BPM resolution)

Maximum Memory

• 400,000 MIDI events or 300,000 audio events

MIDI Tracks

• 16 tracks plus the master track
• 718 preset/100 user patterns (per song)
• 18 preset/16 user template songs

Audio Tracks

• 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.

Other Functions

• RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function

General

Disk Mode

• Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.

Controllers

• Vector joystick, joystick, ribbon controller, switches 1 & 2
• Control Surface:
• Control Assign Switches:
• Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,
• Tone Adjust/EQ
• Mixer Knobs Switch:
• Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
• KARMA Control:
• On/Off, Latch, Module Control
• DRUM TRACK:
• On/Off

Display

• TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness

Outputs

Analogue

• (MAIN) L/MONO, R:
• 1/4" TRS Balanced
• Output Impedance: 350 Ohms Stereo; 175 Ohms Mono (L/MONO Only),
• Nominal Level: +4.0 dBu,
• Maximum Level: +16.0 dBu (when load impedance is 600 Ohms or greater)
• MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R
• Individual 1-4:
• 1/4" TRS Balanced
• Output Impedance: 350 Ohms Stereo; 175 Ohms Mono,
• Nominal Level: +4.0 dBu,
• Maximum Level: +16.0 dBu (when load impedance is 600 Ohms or greater)
• Headphones:
• 1/4" stereo phone jack, Output impedance: 33 Ohms, Maximum Level: 60+60 mW (when load impedance is 33 Ohms),
• MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))

Digital

S/P DIF:

• Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
• Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R

USB-B:

• 24-bit, Sample Rate: 48 kHz, 2 channels
• (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

Inputs

Analogue

• Audio Inputs 1 and 2:
• 1/4" TRS Balanced
• MIC/LINE input level switches, LEVEL knobs
• Input Impedance: 10 kOhms
• Nominal Level: LINE
• +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
• Nominal Level: MIC
• –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
• Maximum Level: LINE
• +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
• Maximum Level: MIC
• -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)
• Source Impedance: 600 Ohms
• Signal to noise ratio: 95 dB (typical)
• Dynamic range: 95 dB (typical)
• Crosstalk: 95 dB, at 1 kHz (typical)
• == Digital ==
• S/P DIF:
• Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz
• USB-B:
• 24-bit, Sample Rate: 48 kHz, 2 channels

Control Inputs

• Damper pedal (half damper supported), assignable switch, assignable pedal

MIDI

• In, Out, Thru

USB

• USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
• USB B (TYPE B) x 1, MIDI/audio interface
• MIDI: 1 (16 channel) input / 1 (16 channel) output
• Audio: 2 channel input / 2 channel output
• *5 USB high-speed ports (supports 480Mbps)

Disk Drives

• 60 GB SSD (2.5")
• Optional installation of second internal SSD

Power Consumption

• 60W

Dimensions (W x D x H)

• 61 key: 1,040 x 364 x 134 mm / 40.94" x 14.33" x 5.28"

Weight

• 61 key: 14.3 kg / 31.53 lbs.

Accessories

• AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)

Principal Specifications

Frequency Response

• 20Hz-22kHz, +/-1.0dB, 10k Ohms load

THD+N

• 20Hz-22kHz, 0.01%, 10k Ohms load (typical)

S/N

• 95dB (typical)

Dynamic Range

• 95dB (typical)

Crosstalk

• 95dB, at 1kHz (typical)

* All product, company, and standard names are trademarks or registered trademarks of their respective holders.
* Appearance and specifications of products are subject to change without notice.
* The color of the actual instrument may differ slightly from the image shown here.
* Since natural wood is used in the side panels of this instrument, there will be individual differences in the grain and figuration of the wood.