B-Stock Korg Nautilus 73 Key Music Workstation

---------------------

B-Stock Explained

B-Stock is in full working order and is protected by a standard manufacturers warranty as if you are buying the A-Grade equivalent.

B-Stock may be ex-display, opened for demonstration, returned by a customer, refurbished, or have accessories or software missing e.g. gig-bag, manuals etc. There may also be signs of use including minor wear and damage, and it may not come in the original packaging. If you have any questions about the condition of an item, please get in touch with our friendly sales team.

--------------------

The Korg Nautilus Music Workstation, seen here in its 73 key iteration, boasts high quality sounds, great features and intuitive control.

A New Breed of Music Workstation

Based on the same system the Korg Kronos uses, the Korg Nautilus is a whole new breed of music workstation.

A more streamlined (and affordable) brother to the Korg Kronos, the Korg Nautilus is equipped with 9 distinct engines delivering innovative sounds while you control from the remodelled user interface.

Korg Nautilus Music Workstation 73 Key Features:

• Nine different sound engines offer massive expressive power
• New sounds offered over three broad categories
• The DYNAMICS knob makes delicate expression possible
• Make intuitive changes to sounds with the Realtime knobs
• A user interface designed for easy operation
• Convenient arpeggiator and drum track functions
• Set list mode that demonstrates its power in live performances
• Open Sampling System
• 16-Track MIDI Sequencer / 16-Track Audio Recorder
• 16 Onboard Effect Processors
• USB/MIDI Host Ports Accommodate MIDI Control Surfaces
• Smooth sound transitions that eliminate dropouts when changing sounds, regardless of the mode you're in
• 88-key model with piano touch, 73 and 61-key models with Natural Touch semi-weighted

Nine Engines, Three Categories

Featuring nine dedicated sound engines, the Korg Nautilus has a wide range of sounds from organs and guitars to realistic recreations of pianos and electric pianos along with loads more.

Making it easier to find the sounds you want, the Korg Nautilus Music Workstation separates these sounds over three broad categories.

The "Unique" sounds category gives you distinctive sounds from phrase loops and prepared pianos to found percussion and more.

In the "Current" sounds category, you'll find a range of sounds that are popular in today's EDM with synths, drum kits and special effects among others.

When using the Standard sounds category, you'll have access to classic such as piano, electric piano, guitar and more to cover all genres.

Intuitive Interface and Great Control

The Korg Nautilus also gives you the benefit of a newly remodelled interface that has been specially designed for easy operation.

The options you need are all intuitively laid out while the user-friendly navigation of the Korg NAUTILUS means you won't get lost.

You even have six quick access buttons which you can use for shortcuts.

Six real-time knobs to the left of the panel allow you to make changes to the PROG and COMBI sounds whenever you need, with a variety of functions assigned to each knob.

You'll also enjoy using the Dynamics knob which gives you instant control over volume and tone in response to how hard you play the keys.

Of course, the Korg Nautilus workstation also has a TouchView display which can host 16 colour-coded touch-screen buttons you can use to call up Presets, Combinations or Sequences whenever you want, regardless of mode.

Get all this and a whole lot more for yourself.

Buy the Korg Nautilus 73 Key Music Workstation from PMT Online now for a fantastic new take on workstations with tonnes of great features and incredible sounds.

Korg Nautilus Music Workstation 73 Key Specs:

[Keyboard]

• 73 key: Natural Touch Semi Weighted, C – C
• Velocity sensitive is supported, after touch is not supported.

[Tone Generator]

• Synthesis Types: 9
• SGX-2 Premium Piano (Acoustic Piano)
• EP-1 MDS Electric Piano (Electric Piano)
• HD-1 High Definition Synthesizer (PCM)
• AL-1 Analog Synthesizer (Analog Modeling)
• CX-3 Tonewheel Organ (Tonewheel Organ Modeling)
• STR-1 Plucked String (Physical Modeling)
• MOD-7 Waveshaping VPM Synthesizer (VPM Synthesis)
• MS-20EX Component Modeling Technology (Analog Modeling)
• PolysixEX Component Modeling Technology (CMT Analog Modeling)

Maximum Polyphony*1*2:

• SGX-2: 100 voices*3
• EP-1: 104 voices
• HD-1: 140 voices
• AL-1: 80 voices
• CX-3: 200 voices
• STR-1: 40 voices
• MOD-7: 52 voices
• MS-20EX: 40 voices
• PolysixEX: 180 voices

*1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)

Preset PCM:

• 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)

Build-in Expansion PCM Libraries:

• EXs301: German2 D Piano
• EXs302: Italian F Piano
• EXs303: Japanese Upright U Piano
• EXs304: Prepared Piano
• EXs305: Historical Keyboards
• EXs306: Vintage Keyboards 2
• EXs307: Strings & Synths
• EXs308: Guitar Collection
• EXs309: Bass Collection
• EXs310: World Essence
• EXs311: Background Loops
• EXs312: SFX & Hits
• EXs313: Found Percussions
• EXs314: Expansion Drums

PCM RAM Capacity:

• Approx. 2GB *4

*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).

Wave Sequences:

• 598 User memory, 377 Preload
• Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.

[SGX-2 Program]

Premium Piano:

• Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
• Damper resonance and mechanical noise are reproduced.
• Una Corda sample support

PCM:

• EXs301 – German2 D Piano
• 12 velocity levels, includes Ambience Piano type/samples
• EXs302 – Italian F Piano
• 12 velocity levels, no Una Corda samples
• EXs303 – Japanese Upright U Piano
• 8 velocity levels
• Exs304 – Prepared Piano
• 1-4 velocity levels

Piano Type:

• 128

(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))

Oscillator Control:

• Damper Resonance, Damper Noise, Mechanical Noise, Note Release, Modeled String Resonance, Una Corda.

[EP-1 Program]

MDS Electric Piano:

• Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
• Electric Piano Model Types: 7
• Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A

Oscillator Control:

• Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width

Panel Control:

Tine Type:

• Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Reed Type:

• Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Effect Types: 9

• Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

[HD-1 Program]

• Advanced Vector Synthesis:
• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
• Structure:
• Single: only OSC1, Double: OSC1 and OSC2.
• Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
• Drums: One drum kit, Double Drums: Two drum kits.
• Oscillators:
• 8 velocity zones per oscillator, with switching, crossfades and layering
• Each zone can play mono or stereo Multisamples or Wave Sequences
• Filters:
• Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
• EQ:
• Three bands, with sweep-able mid
• Driver:
• Per voice non-linear driver and low boost circuit
• Modulation:
• Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
• Quick Layer / Split function

[EXi Program Common]

• Advanced Vector Synthesis:
• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
• Modulation:
• Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
• EQ:
• Three bands, with sweep-able mid

[AL-1 Program]

• Oscillators:
• Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
• Audio Input:
• External audio can be processed through the ring modulator, filter, driver, amp, and EQ
• Filters:
• Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
• Driver:
• Per-voice non-linear driver and low boost circuit
• Modulation:
• Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.
• Quick Layer / Split function

[CX-3 Program]

• Tonewheel Organ Modeling:
• Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
• EX Mode:
• Four additional, user-specified drawbars, and expanded percussion.
• Internal Effects:
• Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
• Drawbar Control:
• Controlled via nine front-panel sliders (via Tone Adjust)
• Split:
• Upper, Lower (even in EX mode)
• Modulation:
• Two AMS mixers

[STR-1 Program]

• Physically Modeled String:
• Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime.
• String Excitation:
• Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
• PCM Oscillator:
• KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
• Excitation Filter:
• Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
• Audio Input and Feedback:
• Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation.
• Filters:
• Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
• Multi Filter Mode (Filter A only).
• Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
• Modulation:
• 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

[MOD-7 Program]

• Waveshaping VPM Synthesizer:
• Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
• Oscillators:
• 6 VPM/Waveshaper/Ring Modulation Oscillators:
• Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
• PCM Oscillator:
• KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
• Audio input:
• Run real-time audio through the VPM Oscillators and filters.
• Filters:
• Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)
• Multi Filter mode (Filter A only):
• Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
• Patch Panel:
• Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
• Modulation:
• 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

[MS-20EX Program]

• Oscillators:
• Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
• Audio Input:
• Run real-time audio through the synthesis engine and ESP (External Signal Processor)
• Filters:
• 12dB/octave High Pass and Low Pass self-resonant filters
• ESP section:
• 24dB/octave Low Cut and High Cut filters, available per voice.
• Patch Panel:
• Patchable audio and modulation, at audio rates
• Patch Points:
• Keyboard:
• Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
• VCO:
• VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
• VCF:
• External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
• VCO+VCF:
• Total External Modulation In
• VCA:
• External Initial Gain Control In, VCA In
• EG:
• EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
• MG:
• Triangle Out, Rectangle Out
• Noise Generator:
• Pink Noise Out, White Noise Out
• Sample and Hold:
• Clock Trigger In, Sample Signal In, S/H Out
• Modulation VCA:
• Control Voltage In, Signal In, Signal Out
• Manual Controller:
• Control Wheel Out, Momentary Switch
• ESP:
• Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
• Others:
• EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
• ESP (External Signal Processor):
• Use incoming audio as a trigger and/or CV source.
• Modulation:
• Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
• Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

[PolysixEX Program]

• Oscillators:
• VCO:
• Saw, Pulse, PWM
• Sub Oscillator:
• Off, 1 octave below, 2 octaves below
• Filter:
• 24dB(4-Pole) Octave Low Pass self-resonant filter
• Effects:
• Integrated Polysix Chorus, Phaser, and Ensemble
• Arpeggiator:
• Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
• Modulation:
• Polysix: Original ADSR EG and MG (with MIDI sync). NAUTILUS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

[Combination]

• Number of Timbres, Master Keyboard Functionality:
• 16 Maximum
• Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
• The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
• Advanced Vector Synthesis:
• Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
• Quick Layer / Split function

[Drumkit]

• System:
• Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
• [Number of Programs/Combinations/Drum kits]
• 2,560 user memory programs (1,920 [1,280 HD-1+640 EXi] come preloaded)
• 1,792 user memory combinations (256 come preloaded)
• 264 user memory drum kits (104 come preloaded)
• 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

[Set List]

• Number of Set Lists/Slots:
• 128 set lists, 128 slots per set list
• Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted. Transpose setting. Hold Time setting of Smooth Sound Transition (SST) supported for each slot.

[Sampling]

• System:
• Open Sampling System (resampling, In-Track sampling)
• Bit Depth/Sampling Frequency:
• RAM: 16-bit/48 kHz stereo/mono sampling
• DISK: 16 or 24-bit/48 kHz
• Sampling Time:
• RAM: Depends on the amount of available PCM RAM
• DISK: Maximum 80 minutes stereo (879MB: 16bit)
• Sample Locations:
• 16,000 samples/4,000 multisamples (128 indexes per multisample)
• Formats:
• KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
• Editing:
• Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

[Effects]

• Insert Effects: 12
• Stereo in / stereo out
• Master Effects: 2
• Stereo in / stereo out
• Total Effects: 2
• Stereo in / stereo out
• Timbre EQ:
• One 3-band EQ for each timbre/track
• Effect Types:
• 197
• Modulation:
• Dynamic Modulation and Common LFO
• Effects Control Busses:
• Stereo side-chaining for compressors, gates, vocoders, etc.
• Effect Presets:
• Total 783 preset, Maximum 32 per 1 effect (Preset User)

[Arpeggiator]

• Arpeggiator Modules:
• One module in Program mode, two modules in Combination and Sequencer modes
• Arpeggio Pattern:
• 5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
• Controllers:
• On/Off, Latch, Gate, Velocity, Length, Swing, Tempo

[Drum Track]

• Drum Track Patterns:
• 1,272 preset (common with the preset patterns of the MIDI sequencer)
• 1,000 user patterns
• Patterns created in Sequencer mode can be converted to drum track user patterns.
• Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.

[Sequencer/HDR]

• Tracks:
• 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
• Number of Songs:
• 200 songs
• Resolution:
• 1/480
• Tempo:
• 40.00 – 300.00 (1/100 BPM resolution)
• Maximum Memory:
• 400,000 MIDI events or 300,000 audio events
• MIDI Tracks:
• 16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,
• Format:
• KORG (NAUTILUS, KRONOS, OASYS) format, SMF formats 0 and 1.
• Audio Tracks:
• 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
• Maximum Single-file Recording Time (mono):
• 80 minutes
• Automation:
• Volume, Pan, EQ, and Send1/2; 10,000 regions (max.), Event Anchors, BPM Adjust
• RPPR (Realtime Pattern Play and Record):
• 1 Pattern set per song
• Auto Song Setup function

[General]

• Disk Mode:
• Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
• Controllers:
• Joystick, Switches 1 & 2
• Arpeggiator Control:
• On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
• DRUM TRACK:
• On/Off, Swing, Drum SD, Tempo
• Display:
• TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
• Principal Specifications:
• Frequency Response:
• 20Hz-22kHz, +/-1.0dB, 10k O load
• THD+N:
• 20Hz-22kHz, 0.01%, 10k O load (typical)
• S/N:
• 95dB (typical)
• Dynamic Range:
• 95dB (typical)
• Crosstalk:
• 95dB, at 1kHz (typical)
• Outputs:
• L/MONO, R, Individual 1-4:
• 1/4” TRS Balanced
• Output Impedance: 350 O Stereo; 175 O Mono (L/MONO Only),
• Nominal Level: +4.0 dBu,
• Maximum Level: +16.0 dBu (when load impedance is 600 O or greater)
• MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and R
• Headphones:
• 1/4” stereo phone jack
• Output impedance: 33 O,
• Maximum Level: 60+60 mW (when load impedance is 33 O),
• MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
• USB-B:
• 24-bit, Sample Rate: 48 kHz, 2 channels
• (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
• Inputs:
• Audio Inputs 1 and 2:
• 1/4” TRS Balanced
• Input Impedance: 10 kO
• Nominal Level: LINE +4 dBu
• Maximum Level: LINE +16 dBu
• Nominal Level: MIC –22 dBu
• Maximum Level: MIC -10 dBu
• Source Impedance: 600 O
• USB-B:
• 24-bit, Sample Rate: 48 kHz, 2 channels
• Control Inputs:
• Damper pedal (half damper supported), assignable switch, assignable pedal
• MIDI:
• In, Out, Thru
• USB:
• USB A (TYPE A) : For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
• USB B (TYPE B) : MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
• *2 USB high-speed ports (supports 480Mbps)
• Disk Drives:
• 60 GB SSD (2.5”)
• Power Supply:
• AC power supply terminal, Power switch
• Dimensions: (W x D x H)
• 88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
• 73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
• 61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
• Weight:
• 88 key: 23.1 kg / 50.93 lbs.
• 73 key: 14.6 kg / 32.19 lbs.
• 61 key: 13.0 kg / 28.66 lbs.
• Power Consumption:
• 40 W
• Accessories:
• AC cord, Quick Start Guide

[Options]

== Hardware ==

• XVP-20: Expression/Volume Pedal
• EXP-2: Foot Controller
• DS-1H: Damper Pedal
• PS-1: Pedal Switch
• PS-3: Pedal Switch